Waterhouse's depiction, overtly sexual, positions the nymphs as femme fatales, the cause of Hylas's demise and eventual death. The naked flesh of the sea-nymphs, coloured in the vibrant hues familiar in PRB works, radiate out of the canvas clearly drawing the attention of the viewer. The nymphs, bathed in light stand out, while the figure of Hylas almost blends into the background patches of colour. The bodies of the nymphs, vibrant and alive contrast the darker figure of Hylas, perhaps suggesting his impending death. The nymphs seem unaware of their sexual nature, in that they do not attempt to cover or hide their bodies, while at the same time seeming fully in control of their sexual prowess coyly cocking their heads, reaching and grasping Hylas and toying with their hair.
Waterhouse, who seems fascinated with the hypnotic power of beauty and youth, utilized the setting of mythology and fiction as an acceptable medium through which he could explore erotic forms. The female nude stands, adored by Waterhouse, as the ultimate expression of the organic and natural aesthetic. Women, capable of possessing power through their sexuality, become free from the domestic interior, embracing nature and themselves.
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