At the centre of this painting are three figures gathering potatoes; they are united in the composition as they occupy a green, grassy knoll and toil under the shade of a tree. A fourth figure can be seen on the left, his actions unrecognisable from such a distance. All are labouring on a hill that slopes down to the right and occupies the majority of the canvas.
The theme of potato gathering recurs in Pissarro’s oeuvre in a number of mediums, pencil, gouache, oil, and prints, over a period of thirty years. In the Lehman painting, Pissarro’s treatment of the subject is carefully structured while remaining expressive in tone and in brushwork. The artist is both borrowing a traditional subject matter from the great Barbizon painter Camille Corot, while anticipating the more staccato, broken brushwork of later artists such as Georges Seurat.
[Oil on canvas, 46 x 55.2 cm]
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