Shin hanga prints were directed to a Western audience largely through Western patronage and art dealers such as Robert O. Muller (1911-2003). Directed primarily to foreign markets, shin hanga prints appealed to Western taste for nostalgic and romanticised views of Japan. Shin hanga prints flourished and enjoyed immense popularity overseas. In the 1920s, there were articles on shin hanga in the International Studio, the Studio, the Art News and the Art Digest magazines. In 1921, a Shinsaku-hanga Tenrankai (New Creative Print exhibition) was held in Tokyo. One hundred and fifty works by ten artists were exhibited. In 1930 and 1936, two major shin hanga exhibitions were held at the Toledo Museum of Art in Ohio.
[Full colour woodblock print, 40.8 x 25.7 cm]
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